Tag Archives: Les Bleus: Premiers Pas Dans La Police

Writing, French TV, Dragon Age: Redemption and Links (Religion, Feminism, Writing)

ID-10041444 - Notepad And Keyboard Stock Photo - twobee

Image courtesy of  Twobee / FreeDigitalPhotos.net

Last week, I had the impression I might have a measure of burnout lurking, but I got confirmation this week. While I managed to have the structure and almost complete introduction for my next paper, I just meet a dead end whenever I try to work on it since then. It’s not as severe as the burnout I had back in December, but I understand that I need to take it easy and give myself a few days. I’m still learning to recognize and accept such things, despite my workaholic tendency. So I made the decision that my writing goal this month will be the Lost Girl/Once Upon A Time paper and that I will postpone work on my Scully book proposal to May.

Of course the moment I understand I need a break and accept to take it, my creativity starts to fire up again. While I was on my way back from a walk today, I suddenly remembered a video idea I have for a character in a French TV show that lasted four season (and whose cancellation is still a shame as they already had so much to make at least one other season). And right on cue, I have an idea of paper to defend this series. This cop/investigation show called Les Bleus: Premiers Pas Dans La Police (“bleus” here means “probies”) followed new recruits in national French police in Paris, and also their superiors.

The show made decent audiences but it was considered a “bad” show by anyone who was supposed to have a brain and also considered as impossible for exportation. I beg to differ on both accounts. I don’t see why our own judiciary and police systems would be more complicated for other countries to understand that US ones to non US viewers. Cop shows like that are all the easier to bridge between countries in my view because of the general story devices behind them.

So I want to write a paper to defend this show, because while not perfect, it had many good moments and many solid and layered characters. It was also great in terms of diversity: gender, ethnicity and sexual orientation representations were diverse and in the main cast. It also brought up topics such as motherhood and going back to studying/work, dealing with one’s roots and a life different from one’s family. It didn’t only present one or two romances that was all chase. At least a couple relationships lasted even after the characters actually got together, through the good and the bad, even when they didn’t always end well.

I fell in love with the Dragon Age universe from the moment I started playing the first video game of the franchise, Dragon Age: Origins. Not only is this one of my favorite video games, but I love all that followed, from the expansion, the second game (I can’t wait for the third one!). I also liked the animated movie Dragon Age: Dawn of the Seeker, and I have the three novels on my to-read shelf. Yet, I hadn’t seen Dragon Age: Redemption until earlier this week.

I admit that I’m not a big Felicia Day fan. Yet, I wanted to check this short series because I love the universe. And for the first time, I actually liked Day in a part. I didn’t like her more than the rest of the cast, and my two favorite characters were the male Templar and the female Reaver. I think that the series was very in tune with the rest of the universe and tapping into my knowledge of the franchise to recognize places, specialties, organizations was really neat.

Links: Religion, Feminism, Writing